Hello my darling blog-readers (both of you). I kind of fell of the radar for a while there, but it has nothing to do with TV. If anything, TV is one of the few things keeping me from hurling myself in front of a bus. For various, mostly health-related reasons, my life has fallen apart around me, now largely comprised of teeny, tiny shards of bitterness and ugly crying. I finally gave up on ever feeling better ever again about a month ago and kinda, sorta stopped caring about most aspects of my life. Including blogging. Yes, ladies and gentlemen, even TV lost some of its luster and my enthusiasm for ranting and raving about it on this blog fell by the wayside. Seriously, you know those commercials for anti-depressants that have people sitting by windows wearing cable-knit sweaters and staring off into space? And then a sad, but eager dog walks into the room with a ball or a leash or something and the person feels even worse? That's pretty much where I've been lately. I always thought those ads were just cheesy, but after the year I've had, I've honestly starting thinking that maybe, just maybe, depression hurts, but Cymbalta can help. Well played, manipulative advertisers!
Anyway, that's all really just a preamble to the actual blogpost about shows I hate, but still watch. Unless of course, you majored in English and assume that I'm viewing my own experiences through the lens of television, translating the pathetic heap that is my life into a theoretical construct whereby I'm the star of my own show and it's a show I hate. 'Cause, you know, that's just how we roll. My inability to stop watching or help myself is manifested in the kind of show that you wish you could break up with, but simply can't. Much like these!:
PARENTHOOD
My brother and I both end up watching this show, but note frequently how much we hate it. My willingness to watch a show that annoys the ever-loving shit out of me somewhat spurs from the fact that the show is in an uncrowded timeslot (now that The Good Wife has moved to
Sundays), but more than anything, this show is, far and away, the show I most love talking about just how much I hate it. There are just so many layers and facets to my hatred for the show! How could I give that up? The girls at work and I rehash the shows many non-sensical fights, juvenile decision-making skills, and impatient story-telling with a fair bit of fervor the following day and while the show drives me up the effing wall, the discussions make it all worth it. Why do I hate this show that show many critics and fans adore? The short version is that 1) the adults on this show act like petulant junior high school students, 2) the show has a sprawling cast of annoying characters, only a few of which do I care about, and most important of all, 3) the writers refuse to take their time. I could forgive a lot of the ridiculous fighting between family members (although holy shit, if my family fought this often, I'd have killed myself years ago) if the reasons for the fights were established in a more logical, deliberate fashion. Most recently, the show introduced Rachel, the young sexy secretary at the Luncheonette, much to the chagrin of new-mom Christina. Okay, fine. Sure it's a story that's as old as time, but I tried to be open-minded. Turns out, I should have been more cautious. The writers could have established Rachel over time as a real person that the audience actually cares about, but instead they tossed her into the mix as a cardboard cut-out sexpot with no personality or individuality. What's worse, they went for the inappropriate kiss with Adam like, the next week. Even worse than that, the writers immediately turned Christina's and Adam's marriage nuclear as a result. UGH. More than anything, I hate Parenthood because it could be so, so good, and 
it just isn't. The writers refuse to let the tension build, they seem pathologically unable to set up conflicts that make a whole lot of sense, and they go straight for the explosion without even lighting the fuse. If this were a comedy, they'd be hitting the punchline without telling the joke. When you deliver the punchline early, it's not funny. When you jump to the knock-down, drag-out argument without establishing the reasons, it loses most of its impact. This is basically the boy who cried wolf, only with childish, petty adults bitching at one another over nothing. After a while, you just stop listening. Had the writers taken their time with the Rachel storyline, played is slowly and subtly, allowing viewers to become invested in her as a character and allowing Christina's suspicions and insecurities build, the fight between her and Adam could have been devastating and gripping. As is, it's just another Tuesday at the Braverman house where Christina is the stereotypical nag and her husband is the hapless saint. Man alive, you'd think that people who fight this often would be better at it, but most of Christina's arguments fell flat or had no foundation and that just makes her unlikable and unsympathetic. When I take a step back and build up the necessary foundation in my head for Christina's instability and nervous breakdown, it honestly does make sense to me. But as it's presented, it just feels like the writers were too afraid to really examine what's going on with her and just went for the fireworks instead. For me, watching someone's gradual breakdown is far more gripping than a bickering match, but maybe that's just me. Shows like Breaking Bad and The Good Wife take their time. They slow-play the tension for as long as they can, tightening the noose, turning the knife, till the conflict boils over. When that's where an argument comes from, it's mesmerizing. With Parenthood? It's pat. I would love for the writers to
take a chance on subtlety and let the storylines really simmer for a while. Were I writing the Rachel arc, I would have established her as a person the audience actually cares about while at the same time illuminating Adam's frustrations with his marriage and Christina's insecurities. When the time came for the kiss (assuming I'm following the basic structure they already took), I would have had the circumstances be more ambiguous. As is, this poor girl got drunk, pretty much accidentally kissed her boss and felt completely foolish over the whole thing. I'm sorry, that's just not grounds for World War III even if Adam did lie to her about firing Rachel. If I were writing this, I would have had the kiss be more of a kiss, made Adam's response to it more conflicted and uncertain, then had him downplay it's importance to Christina (assuming we live in a world where he ever would have told her in the first place). That way, when he and Christina fight, she's had time to get more and more justifiably concerned about the situation, he's had time to get conflicted about his own feelings, and Rachel is someone whose fate I'm actually invested in. When you go straight for the big finish, I don't sympathize with Christina, Adam just seems like a dolt, and I can barely remember Rachel's name. The show really could be awesome, much like the executive producer's previous project Friday Night Lights, but instead, it seems like an abridged Lifetime movie or a never-ending serious of "previously on" clips. It has its moments, it really does (Julia has been about 800% more likable this year), it just doesn't use those to make the series as good as it could be. Great bones to work with, frustrating-as-hell execution. Particularly in the hair and make-up this year.HOW I MET YOUR MOTHER
I've actually hated this show for a couple of years now, but god help me, I just keep watching. This one mostly boils down to time commitment. It's literally 21 minutes out of my week, so even though most episodes
are pretty disappointing, and even though this season has flown even more off the rails than ever, it's just so damn easy to keep going. I think the recent revelation that Robin is pregnant was the final straw for me though. UGH. Are you kidding me?! So awful, so stupid, so... everything. I could go on and on about this, but I'll try to keep it short. I used to adore Robin as a character. I watched an episode from back in the day last night and it was like a sobering punch in the face, highlighting in excruciating detail what the writers have done to a character I once adored. I loved having a female character on TV who wasn't a simpering idiot, a dependent damsel, or a stereotypical lonely single woman who just wants to get married and have babies. She was smart, funny, easy-going, and wanted to live her life on her own terms. Now? Jesus, the hollow husk that is Robin is basically unrecognizable, and that's not just because of her hideous hair and clothes this season. What the hell happened to her? She somehow became this high-strung, irritating, shrill caricature who has ended up pregnant and doesn't seem to know what to do. Luckily, she became the polar
opposite of who her character used to be at exactly the same time Barney became the antithesis of who he used to be! What a crazy, random happenstance! Look, I'm not saying that people can't change over time, but Robin's erratic meltdown over being pregnant and Barney's newfound love of relationships and babies is just ridiculous. If Robin really is who she used to be, a smart, savvy, independent woman who doesn't want children, she'd have an abortion and be done with it. I know, I know, this is a comedy where things like actual reality apparently never happen, but if that's the case, then maybe you shouldn't have such a character get pregnant. The Robin I once knew wouldn't fall apart like this, she'd take charge, terminate the pregnancy she never wanted and wouldn't have the children she can't stand. Barney would have been completely on board with this plan. The new and not improved versions of these characters will, I'm sure, go through with the pregnancy and never even mention abortion as an option. It's infuriating. God, it's like in Knocked Up where she ends up pregnant after a one-night stand, 
doesn't want the child, knows it will derail her life, and yet, what can ya do? It's not like there's a way to end a pregnancy or anything. Dear How I Met Your Mother, what the hell happened? When did you forget who these characters are and how to write for them? When did you decide that you didn't care enough about your female characters to give them anything beyond the stereotype (Lily has turned into quite a peach as well)? I've wanted to break up with this show for years now, what with the identity of the mother seemingly 34 seasons away, but there's always just enough to keep me tethered. I stopped caring about Ted ages ago (who?), and the rest of the cast have turned into irritating caricatures of themselves, but in spite of all that, there's always just enough to enjoy. It still has its moments, I grant that. But the crazy train of pregnant Robin might be more than I can stomach. So disappointing. So stupid. I'd say so jump-the-sharky, but we passed that milestone ages ago.HART OF DIXIE
Oh dear god, this show is terrible. And my excuse for continuing to watch could not be flimsier. Quite simply put, it's in the dreariest timeslot on the least-crowded night of the week. Literally, it has no competition at all. That is the only reason I watch it. I don't even have a
season pass. I just take a look at what's on, find out that there's nothing, and begrudgingly watch this show. The second anything else appears, this one's a goner. I never had anything even resembling high hopes for this one, but with the creative team in mind, I was hopeful that maybe I was wrong. I most certainly was not. It's just so, so bad. The set-up is completely lame, Rachel Bilson, god bless her, is a truly terribly actor, and there's absolutely no narrative drive to speak of. It's basically just a random small town with some stereotypes living there where some meaningless events happen and no one cares. None of the characters are interesting or endearing (particularly Zoe) and the writers just can't seem to get a bead on how to make this show work. The whole fish-out-of-water thing was old before the show even started, but they just keep at it. Dear show, that horse is dead. Worst of all, they use the sets from Gilmore Girls and True Blood. On the one hand, one of the only good things about this show is that you get to remember episodes of far better shows when they walk by Lane's house or have a beer at Merlotte's, but on the other, much bigger hand, it reminds you of shows you'd rather be watching. Sigh. It's hardly worth even mentioning. This show is so insignificant and the writing is so poor that it's truly embarrassing to admit to watching it. The real takeaway lesson learned with this one is that Rachel Bilson is Summer Roberts. That wasn't acting at all. And the day I believe Summer Roberts is a cardiovascular surgeon is the day I officially hand in my professional television watcher membership. If nothing else, I'll know better than to give a show with her as the star a chance. She could maybe work with a true ensemble, but this show has a weak anchor and hardly any supporting players worth mentioning. This one is truly terrible and shows no signs of improving. It may go on for 10 years (you have fun with this pile of shit, CW), but that doesn't make it good.
