Showing posts with label Prime Suspect. Show all posts
Showing posts with label Prime Suspect. Show all posts

Monday, September 26, 2011

TV Review: Prime Suspect

It's getting to the point where reviewing NBC pilots is just depressing. Not because they're all terrible, mind you, but because even the few that don't suck have such a slim chance of surviving. The Jeff Zucker years were not kind and NBC seems to have been "rebuilding" for ages now, to no avail. It is with that preamble that I review one of the better pilots of the fall, hopefully completing said review before the show gets canceled.

Prime Suspect stars Maria Bello (who will always be Anna Dellamiko in my heart) as a NYC homicide detective who is a good cop operating in a man's world, being undercut and harassed at every turn by her male counterparts. While I don't doubt that there's more than a little "boys' club" ridiculousness and discrimination that goes on in this kind of a workplace, it all felt a little dated and unrealistic. I'm sure there are a lot of sexist bastards out there who think these things, but it's quite another to publicly and openly harass someone like that. This show is actually a US adaptation of a British show (which starred Helen Mirren in the lead role, if you want a quick primer in American vs. British television priorities), so maybe that explains that oppressively sexist overtones. For as much as I love British programming and for as advanced and forward-thinking as the Brits generally are, there's an undercurrent of sexism in British shows that always strikes me as incredibly odd and unabashed. Perhaps that sentiment traveled across the pond along with the show.

For as irksome as the overt sexism was to watch, the show pulled it off well and crafted a work environment for Bello which, while I hope to hell is an exaggeration of reality, gave her ample chances to shine as an actress. For as eye-rolling as replacing Mirren with a younger, blonder actress was on the surface, Bello completely holds her own as the rough and tumble heroine Jane Timoney, who's attractive, but not unrealistic. It's a difficult role to manage and she pulled it off with charm and grace. Indeed, this kind of set-up, with this kind of lead role would oftentimes generate a heroine that wasn't particularly endearing or believable, but Bello's layered performance gives Timoney the range necessary to grab viewers. She's tough and composed, but she's not heartless or vindictive (even though she probably should be). For as often as the men in her department treated her like shit and told her she was invading their clubhouse, she held it together and kept a composed public face. Which isn't to say that in the privacy of her own home she was stiff as a board, but everyone, male or female, has a public and private face that they maintain.

Had Bello's performance not been as strong, I think her nauseatingly sexist colleagues would have driven me away within minutes. The show actually did a lovely, and surprisingly subtle job of making them look like the complete assholes that they are. The writers didn't shove it down the viewers' throats with grandiose speeches about equality or a cheesy voiceover explaining how things are different for men and women. Instead, they let Bello's face do the talking as she endures constant abuse with reserve and dignity. That isn't to say she sits idly as her career passes her by. She was refreshingly pragmatic and direct about her position, her colleagues, and her career path, not letting even the nastiest of invective tarnish her resolve. It was pretty apparent going in that this would be a tale of "look, she's a girl AND she's a hell of a cop!" but it played out surprisingly well. Even when Bello was clearly playing into that trope, showing up all the boys with her detective skills, it didn't come across as preachy or self-righteous. Indeed, the writers did a very nice job showing how Timoney's skill set would be beneficial to a case, female or not. The one aspect of her investigation that did hinge on the fact that she's female, specifically, is that she was able to exclude one of the suspects based on her history in vice. I particularly liked this because it seems that all female cops have had to work vice, which is annoying as hell, so at least in this instance, it worked to her advantage.

As per usual with this kind of sexist set-up, after Timoney takes over and solves the case, she gets more grief rather than less. It's bad enough in these guys' minds that she invaded their turf, but it's far worse to actually be competent. The truly unfortunate thing with women in these kind of roles or racial minorities, members of the gay community, etc, is that it doesn't matter how many times they do something right, it's the one time they do something wrong that they will carry with them. The men around her are just waiting for something to happen that they can latch onto that proves that women can't do this job. The other men might make this same mistake a million times, but it's irrelevant. It's the one time the woman screws up that not only invalidates everything she does, but all women in general. White men are allowed to be individuals. Women represent the entire gender as a whole. Sorry to be soapboxing here, but I've been in Timoney's shoes before, to a lesser extent, so I feel for her. I think most women have been in similar situations and know what its like to carry an entire gender's reputation on her shoulders. It isn't easy. Or fun. And it's a lot of pressure to endure. As such, this pilot hit home on more than a few levels, which made for an uncomfortable viewing experience at times.

Bearing that in mind, the fact that it made me uncomfortable and even pissed me off doesn't mean it was a poor pilot. Indeed, even in the subtler ways that it exposed the male/female dichotomy of her work environment, the show made its case and let the audience decide. For me, one of the most effective scenes was when the most sexist and prejudicial guy of them all gets a phonecall from his 4-year-old daughter. It's very clear that he, along with all his sexist male colleagues, absolutely adore this little girl, singing Happy Birthday to her and wishes the best of possible birthday wishes. I'm guessing a lot of people in the audience saw this as a redemptive scene whereby the audience gets to see that these guys aren't so bad after all. Who knows. Maybe that was the intent. From where I'm sitting though, it was a further indictment of these men's actions. How you can you adore a daughter and be excited for all the wonderful things to come in her life and yet treat women like this? It's always strikes me as so completely confounding that men can be so excited about their daughters, wanting only the best for them, but see women as weak wastes of space who are only allowed to do certain male-approved activities. "That's right, princess. You can be anything you want to be. As long as it's a homemaker. Or a nurse. Or maybe a kindergarten teacher." How can these men not see their own hypocrisy? I just don't get it.

I'm really going to try to move past the gender coding issue, but for a pilot like this, it's kind of a big deal. The only other aspect that I have to address is the end of the episode where Timoney chases a serial rapist and murderer into an alley and gets beaten up and tossed around like a rag doll by the guy. It was already established that this perpetrator was a little guy (slender build, maybe 5'9"), but he nearly kills Timoney without so much as a single hit from her. Now, I have no doubt that given the circumstances, any police officer, male or female, would likely need back-up for this situation. But for a tough cop, who has had extensive training, to not so much as land a punch seemed kind of ridiculous to me. At the end of the day, or in this case, at the end of the episode, she still needs a big strong man to come and save her. I was thoroughly disappointed. I came up with some narrative reasons for why the writers would have done this, but none of them were particularly satisfying. I like to think that they wanted us to understand that women are the victims of violent crimes the majority of the time and that it makes sense for a woman, who's been in those shoes, to investigate such crimes. It makes sense to me. Hell, if I had just been raped by some aggressive alpha male, the last people in the world I'd want to talk to about it would be an entire room of aggressive alpha males. No thanks. Send in a female detective. And if you don't have one in your department, promote someone.

The case of the week was well-crafted, if completely secondary to Timoney's personal journey. While I enjoyed Bello's performance quite a lot, this is a cop show first and foremost, which makes it hard for me to really jump for joy. I've heard that they'll be toning down the sexist overtones considerably, so while that will make for a more pleasant viewing experience, I'm not sure it will make for a more interesting one. The actual police work on these shows very rarely interests me, so it's the actors personal journeys that I focus on. Good cop shows can overlap the two in ways that make me care about both (like The Chicago Code) and so far, Prime Suspect has done a nice job interlacing Timoney's personal and professional lives. I'll certainly be giving this one another chance, but based on the ratings for the pilot, I'm going to try not to get too attached. It really is a quality show with a great cast, but on NBC, even quality programming doesn't stand much of a chance.

Pilot Grade: B-

Monday, May 23, 2011

NBC Pilots 2011: Volume 1 (fall dramas)

It's that magical, yet ultimately disappointing time of year again. Don't get me wrong, May is probably the biggest, most important, busiest time of year for the TV biz, but with all the new pilots announced in the Spring comes all the apprehension that most of them will suck come Fall. This year's slate of new pilots looks to be more promising than last year (when I was honestly starting to think that network TV had just sorta given up altogether), but I'm not counting my chickens.

Here's what the schedule will look like for NBC this fall (please bear in mind that these times are Eastern Standard Time, even though that's not where I live (hey, a girl can dream, all right?)):

New pilots are in all-caps.

MONDAY
8 pm The Sing-Off
10 pm THE PLAYBOY CLUB

TUESDAY
8 pm The Biggest Loser
10 pm Parenthood

WEDNESDAY

8 pm UP ALL NIGHT
8:30 pm FREE AGENTS
9 pm Harry’s Law (new time slot)
10 pm Law & Order: Special Victims Unit

THURSDAY

8 pm Community
8:30 pm Parks and Recreation (new time slot)
9 pm The Office
9:30 pm WHITNEY
10 pm PRIME SUSPECT

FRIDAY

8 pm Chuck (new, rather sad time slot)
9 pm GRIMM
10 pm Dateline NBC

SUNDAY
7 pm Football Night in America
8:15 pm NBC Sunday Night Football

Geez, whoever noticed that NBC has absolutely nothing on Sundays? I sure didn't. Wow, this network is even more pathetic than I thought... and that's a high bar.

Anyway, the only scheduling notes are that Chuck has been moved to Friday, so that it has plenty of time to ponder sloughing off this mortal coil, and that Grimm will be premiering on Friday, which doesn't exactly scream confidence. Dear NBC, maybe you should put some actual scripted programming on Sundays, eh? Oh, who am I kidding. Football is about the only thing on this network that anyone watches. So sad.

Even sadder? NBC actually has some pilots that look promising, but they'll be held till midseason for some unfathomable reason (maybe they really like rhyming?). More on them in a future post, but for now, here are some of the new drama pilots for this fall:

THE PLAYBOY CLUB

Description: Stars Amber Heard (Zombieland), Eddie Cibrian (CSI: Miami), David Krumholtz (Numb3rs), Jenna Dewan-Tatum (Step Up), Laura Benanti (Eli Stone) and others. Brian Grazer (24, Parenthood and Friday Night Lights) executive-produces.



First Impressions: While I salute NBC for trying to tap into the Mad Men vibe and era, I have serious reservations about this kind of show on network TV, especially with the focus being on an establishment geared toward sex and drugs. I don't know if you've met network TV, but there's a reason edgier programs wind up on cable. For as solid as the production looks in the trailer, I have a feeling the show started off one way and ended up quite another way when it got picked up by NBC. As much as I hope it can find a foothold and an audience, the necessary watering-down of the content will likely water-down the quality as well. Plus, if there's one demographic that taps into period pieces, it's people who peaked during that period. As much as NBC would jump at the chance for anyone to watch their network again, I don't think the octogenarian set is exactly what they had in mind. This show is going to skew older, I have no doubt. It looks to be well-made and stylish and the decision to cast tabloid staple Eddie Cibrian as a lothario and playboy seeks pre-ordained, but I'm already a bit iffy on the initial story arc. You're telling me her heel broke through someone's skull and all the way into his brain before it broke off the shoe? Boy, they really don't make things like they used to... apparently for safety reasons. I'm cautiously hopeful for this one. Hey, it has David Krumholtz (aka Mr. Universe) in it (even if he wasn't in the trailer at all), so it already wins a few points in my book. If they can pull off the balance between cable themes and network restrictions the way The Good Wife does, it could be a winner, but I'm willing to wager it'll just turn into a low-substance, high-cheese soap opera that likes to think its high brow, but isn't. So I don't trust NBC. Sue me.


PRIME SUSPECT

Description: Stars Mario Bello (ER), Aidan Quinn (Canterbury's Law), and Kirk Acevedo (Fringe). Sarah Aubrey and Peter Berg (Friday Night Lights) will executive-produce.



My Take: First off, this is an American remake of a British series, so I'm already pre-disposed to throw it on the scrap heap and simply seek out the original. Secondly, the British series starred Helen Mirren in the lead where she has been replaced with Maria Bello for American audiences, in case you were wondering just what tack they were aiming for. With that out of the way, I'd say my biggest concern is that it feels like I just watched a trailer for an edgy new cop series about gender roles from... Oh, I don't know, maybe 1991. I have to seriously question the show's approach here. Does anyone really think of policework at strictly a boys' club anymore? Whether it is or it isn't in real life, the television landscape moved past this ages ago. The whole concept seems a little dated and irrelevant. Maybe it's British vs. American sensibilities? Maybe policing really is still a stodgy old boys' club in Britain? In all honestly, when I watch my British shows, there really is a much more prominent and palpable sexism than I see in American shows, so perhaps therein lies the difference. It's always unexpected and I always find it extremely strange, but portrayals of women and interactions with female characters on my British shows are surprisingly sexist from time to time. With that, I can see where Prime Suspect genuinely would have seemed like a trailblazer, featuring a tough woman who can keep up with the guys. On American TV? Been there, done that, two decades ago. Anyway... aside from all that, it honestly doesn't look like a bad show, even if it's main theme seems outdated and perhaps a bit irrelevant. It looks to have more substance than your typical CBS procedural, but more hackneyed procedure than a cable cop drama would offer. It looks like it could strike a nice balance of the two. I can definitely see myself getting sick to death of the constant, "What?! A girl?!" of it all, so hopefully that goes by the wayside sooner than later. Bello looks surprisingly at home in the role and isn't at gussied up or "Hollywood" as I had feared when I heard about the casting, so I'm hopeful. This one will boil down to the level of yammering about the boys' club and the amount of procedure in the show. The less there is of both of those, the better. Yeah, man alive, in terms of gender roles, The Chicago Code managed to explore the treatment of women on the police force only by having the woman in question be top dog of them all, be younger than any other superintendent in history, and be biracial. You really think you're going to push the envelope with a white woman working as a regular old detective? Good luck with that.


GRIMM

Description: Stars David Giuntoli (Privileged), Sasha Roiz (Caprica), Silas Weir Mitchell (Prison Break), and Kate Burton (Grey's Anatomy). The pilot was written and executive-produced by Jim Kouf and David Greenwalt (Buffy the Vampire Slayer, Angel).



My Take: Wow, where to start... On paper, this sounds insanely awesome. In execution? I'm a little afraid. I think it was the little red riding zip hoodie that started the worries. Coming from a production team that had their hands in Buffy and Angel, it's hard not to get excited. Were Joss Whedon included on that list, you can bet I'd be over the moon. Without Joss, however, I have a feeling this show is going to fail to meet its potential. Where Buffy took the "high school is hell" notion and made it reality, this seems to be playing with the "murderers, rapists, and kidnappers are demons" concept in the same way, but without as much success. It's a lot easier to have fun with the concept of Buffy. The levity and snark make the more campy elements totally work. Trying to incorporate similar thematic elements into a crime procedural? I have my doubts. Aside from being one of my least favorite genres, the crime procedural tends to take itself too seriously a lot of the time and when you're dealing with the notion that a descendant of the Brothers Grimm is fighting big bad wolves (heh, well, they got the "big bad" part of the Whedonverse right) and saving little red riding sweatshirt, I have a sinking feeling it'll come across as lame, not inspired. The fact that Seymour from Burn Notice is ostensibly one of the scoobies warms my heart and gives me hope, but I fear viewers will tune in expecting the snap crackle wit of a Whedonverse production and be left wanting. The fact that it's airing on Fridays, after Chuck, doesn't exactly bolster confidence either. On the hopeful chance that this is as awesome as it could be, it likely doesn't stand much of a chance in that timeslot, with that lead-in. Don't get me wrong, they make for a logical pairing, but Chuck's numbers are already terrible, and will likely be abysmal come fall, which means it's not exactly the blockbuster lead-in a new pilot would hope for. This was far from a reassuring trailer, but I'm willing to wager a three minute snippet of Buffy probably looked pretty ridiculous as well. Fingers crossed on this one.