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Undercovers tells the tale of Steve and Samantha Bloom, a married couple who left the spy trade so that they could focus on their relationship and start a catering business. After settling into married complacency for five years, they're drawn back into the world of espionage, or as the characters on this show obnoxiously refer to it, "sexpionage," when a mutual friend/spook goes missing. Good god, if I never hear the term "sexpionage" again, it'll be too soon. What's worse? This show had very little espionage and even less sex appeal, so the term was a misnomer to boot. The basis for this show is the notion that Sam and Steve have settled into coupledom and that the spark and excitement of their relationship has fizzled. Although the pilot wants you to believe that reentering the spy game has rekindled their romance, by the end of the hour, I was more certain than ever that married people are boring.
I'm sure there are married couples out there who aren't boring, but Undercovers did very little to make that case. You'd think that a show about a pair of spies would be titillating and exhilarating, but Samantha and Steve are just plain dull. The
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Indeed, the only real spark to the pilot was Sam and Steve's spook friend Leo, the guy that they've been charged with tracking down. The story actually began with him and a
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For a show that is so entirely based on one primary couple, the powers that be should have paid more attention to the rapport (or lack their of) between the two. Don't get me wrong, the pair seem to get along well, but not in the sexy, thrilling way the show needs. They struck me more as... really close pen pals. Not lovers, not confidantes, and not even spies. I didn't buy their supposed backstory for a minute. Gugu played it better than Boris, but there was only so mu
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Speaking of the B-plot, wow don't care. Sam and Steve are apparently hell-bent on keeping this ridiculous catering side business going with Sam's sister at the helm. The woman playing Sam's sister actually did so with quite a bit of charm and lightness, but I just didn't care about it. Sydney Bristow's home life was exciting and interesting because it examined how Sydney could keep her spy life a secret from the people she loved, people who risked death if they should uncover the truth. In Undercovers, the B-plot just seemed extraneous and inconsequential. The rest of the supporting cast is fine as well, but none of them really grabbed me. Marshall 2.0 was more annoying than the original, but at least he had some personality. Granted, it was the same personality that always seems to accompany the "tech guy" character (with the refreshing exception of Auggie on Covert Affairs), but at least he brought something to the table. All in all, the only character I really latched onto was Leo, and I'm just not sure he's going to be enough to keep me coming back for more.
That the story fell flat for me is disappointing on a number of levels. I love a good spy show and was extremely pleased to see some faces of color in the lead roles of a show for a change, but things just didn't come together here. The writers seemed to be trying so hard to not be Alias and not be Mr. and Mrs. Smith that they ended up with practically
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In short, JJ Abrams, this was not your best work. By a long shot. It wasn't a total disaster or anything, but I was honestly pretty bored throughout. I'm not chomping at the bit for more and find myself wishing it weren't about a married couple at all. When the base conceit is boring, all the other bells and whistles in the world can't make up for it. Abrams' other works all had me on the edge of my seat, desperate for more so to see a creation of his fall so flat is a shock and a shame. I'm going to give this show a few more weeks to build some chemistry or create an ongoing storyline that I care about, but I'm cautious. Who knows though, I wasn't all that impressed by the Covert Affairs pilot, but it has actually turned into quite an
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I really thought this was going to be a winner, but apparently I wasn't the only one who was underwhelmed. The ratings for the series premiere were surprisingly low. Only 8.6 million tuned in and the show scored only a 2.0 in the key demo rating. That's on par with Chuck's current numbers and we all know NBC isn't happy with Chuck's current numbers. Ouch. For comparison, the premiere of Fox's Lone Star (in a much more competitive timeslot, no less) scored a 1.4 in the key demo and is seen as a ratings disaster. Undercovers fared better, but not by much. What's worse, Undercovers was down 13% from the god-awful mess that was Mercy opening in that same slot last season, and Undercovers placed last at 8 p.m. among the major networks. Double ouch. I honestly thought the show would do far better than that, but I can't say I'm heartbroken that it didn't.
At this point, I have better things to watch and it would take a serious turn around in the show to change my mind. Given the base concept, I'm not sure that's possible. It's a well-made show with potential, but I'll be surprised if it manages to suck me in.
Pilot Grade: C-
1 comment:
Agreed. I was bored during the whole show too. Counting down for the show to end is never a good sign. Just sayin'.
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